Poetry. While putting together a manuscript of work written between 1975-1990, Alcalay became dissatisfied with the notion of a "selected poems." As a response, he began to comb through photographs, correspondence, memorabilia, journal entries, and newspaper clippings from the era, and incorporated them into his book; the result is a personal investigation into the relationships of context to text, memory to nostalgia, and present attention to the multiple traces of the past. "Ammiel Alcalay is that rare thing— a gifted prose writer and poet, an accomplished intellectual and a true, as well as inventive, comparatist"—Edward Said
From the author of A Cure for Suicide and Census comes a philosophical recasting of myth and legend, folklore and popular culture: a fabulist’s compendium of poetry and prose.
Jesse Ball—long-listed for the National Book Award, a finalist for the New York Public Library’s Young Lions Fiction Award, and named one of Granta’s best young American novelists—is one of the most interesting, lyrical, fanciful, and “disturbingly original” (Chicago Tribune) writers working today. And The Village on Horseback is one of his most dazzling and varied works. These experimental pieces—including the Paris Review’s Plimpton Prize–winning novella “The Early Deaths of Lubeck, Brennan, Harp & Carr”—ask the reader not to imagine the world for what it is, but for what it could be: a blank tableau on which a spirited imagination can conjure tales out of, seemingly, nothing.
The Village on Horseback is an unmissable treat, a book of voyages to be taken on journeys far and wide
Working within the frame of her native New England, Julie Agoos positions herself in her new book, Property, less as a first-person lyric speaker than as an acute listener to the layered history of small and large violences which ignite repeatedly in American life. Structured as a progression of poems which invoke the “genres” of oral history, gossip, legal transcript, and diary writing, Property arrives, in the long poem “Deposition,” at the story of a particular, explosive, and horrific local crime.
Property’s subject is historical and political: as she experiments from her unique lyric perspective with multiple ways of “telling”and explores through dramatic superimposition how the past inscribes and disturbs the present, Agoos interrogates our homegrown social and racial divides, and focuses emphatically on the ethics of living in a real and present world of ubiquitous war. Her images of natural beauty join a plain style derived from the rhythms of vernacular speech to challenge the complacenciesand consequences of her own American identity and belonging.
Born in Boston in 1956, Julie Agoos is the author of two previous collections of poetry, Above the Land (Yale University Press, 1987) and Calendar Year (The Sheep Meadow Press, 1996). She taught for eight years as a lecturer in the creative writing program at Princeton University, and, since 1994, in the English department and MFA program in poetry at Brooklyn College/CUNY, where she is an associate professor. She lives in Nyack, New York
As in in O, OPRAH MAGAZINE... Write a poem a day every day of the year! The Daily Poet: Day-By-Day Prompts For Your Writing Practice (Published by Two Sylvias Press) offers a unique writing prompt for every day of the year. Created by poets for poets, this calendar of exercises offers inspiration and a place to begin. Whether you are a novice or well-established author, The Daily Poet is an essential resource for poets, teachers, professors, or anyone who wants to jumpstart their writing practice. The Daily Poet is portable, coffeeshop tested, and offers quick warm-ups for any writing group or classroom. An excellent guide for students, The Daily Poet is also a handy reference for poets looking for fresh ideas to share in their writing workshops
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"Sometimes books really do change the world... This one will set in motion a project that may transform Vietnamese culture."—Utne Reader
Ho Xuan Huong—whose name translates as "Spring Essence"—is one of the most important and popular poets in Vietnam. A concubine, she became renowned for her poetic skills, writing subtly risque poems which used double entendre and sexual innuendo as a vehicle for social, religious, and political commentary.
The publication of Spring Essence is a major historical and cultural event. It features a "tri-graphic" presentation of English translations alongside both the modern Vietnamese alphabet and the nearly extinct calligraphic Nom writing system, the hand-drawn calligraphy in which Ho Xuan Huong originally wrote her poems. It represents the first time that this calligraphy—the carrier of Vietnamese culture for over a thousand years—will be printed using moveable type. From the technology demonstrated in this book scholars worldwide can begin to recover an important part of Vietnam’s literary history. Meanwhile, readers of all interests will be fascinated by the poetry of Ho Xuan Huong, and the scholarship of John Balaban.
"It's not every day that a poet gets to save a language, although some might argue that is precisely the point of poetry."— Publishers Weekly
"Move over, Sappho and Emily Dickinson."— Providence Sunday Journal
"In the simple landscape of daily objects–jackfruit, river snails, a loom, a chess set, and perhaps most famously a paper fan—Ho found metaphors for sex, which turned into trenchant indictments of the plight of women and the arrogance, hypocrisy and corruption of men... Balaban's deft translations are a beautiful and significant contribution to the West's growing awareness of Vietnam's splendid literary heritage."—The New York Times Book Review
“Hanoi is a city of poets, and one of my favorites is Ho Xuan Huong, whose daring and thought-provoking poems have been translated and published in ‘Spring Essence: The Poetry of Ho Xuan Huong'”— The New York Times
The translator, John Balaban, was twice a National Book Award finalist for his own poetry and is one of the preeminent American authorities on Vietnamese literature. During the war Balaban served as a conscientious objector, working to bring war-injured children better medical care. He later returned to Vietnam to record folk poetry. Like Alan Lomax’s pioneering work in American music, Balaban was to first to record Vietnam’s oral tradition. This important work led him to the poetry of Hô Xuân Huong.
Ngo Than Nhan, a computational linguist from NYU’s Courant Institute of Mathematics, has digitized the ancient Nom calligraphy.
Acclaimed as an essential voice of the American Midwest, David Baker expands both his environment and his form in his eleventh collection. Whale Fall is about time, measured in the wingbeats of a hummingbird or the epochs of geological change, and about place, whether a backyard in Ohio or the slopes of a melting glacier.
In the exquisite, musical title poem, a deft hybrid of eco-poetic alarm and intimate narrative, Baker transports us to the deep sea as a single gray whale carcass falls, decays, and is reinhabited by a cosmos of teeming lives. Among the strands of ocean health, microplastics, and related calamities of human disregard, the poet weaves in a personal story of chronic illness. The result is a stirring, confident work, astonishing in its emotional acuity and lyric range.
Each poem in Whale Fall is an echolocation, emitting its music to situate itself among others in the vastness of the world. Amidst climate change and catastrophe, as amidst a blooming viburnum or a viral disease, these poems send their songs across empty spaces of a line, a page, or a continent, to see who is out there, moving in the depths of being.
Combining a stunning lyrical intensity with a profound exploration of the human soul, Healing Earthquakes uses poetry to conjure a romance, from beginning to end. Jimmy Santiago Baca introduces us to a man and woman before they are acquainted and re-creates their first meeting, falling in love, their decision to make a family, the eventual realization of each other's irreconcilable faults, the resulting conflicts, the breakup and hostility, and, finally, their transcendence of the bitterness and resentment. Throughout the relationship we are privy to the couple's astonishing range of emotions: the anguish of loneliness, the heady rush of new love, the irritations and joys of raising children, the difficulties in truly knowing someone, the doldrums of breakup, and so on. It is impossible not to identify with these characters and to recognize one's own experience in theirs. As he weaves this story, Baca explores many of his traditional themes: the beauty and cruelty of the desert lands where he has spent much of his life, the grace and wisdom of animals, the quiet dignity of life on small Chicano farms. This is an extraordinary work from one of our finest poets
This collection of original essays brings together some of the most important critics and scholars of Amiri Baraka’s oeuvre. Some Other B...
